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A suberb debut album by one of the nation's best pipers.

Niall Matheson is an outstanding piper from Newtonmore in the Highlands. As a double goldmedallist he has established himself as one of our foremost pibroch players, as well as being a noted exponent of the lighter music of the ceòl beag tradition. In this album we have a wide-ranging and imaginative selection of airs, marches, strathspeys, reels and jigs, many selfpenned, as well as a performance of the 18th century pibroch The Lament for Mary MacLeod. This is unadulterated Highland pipe music, and an impressive debut from a gifted musician.

The Shores of Loch Ness

Niall Matheson

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Angela’s Wedding, MacGregor of Ruaro, Jimmy MacKenzie (Stornoway)
3:26
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Asian Tears, Rockin’ Miss Molly, Paddy O’Rafferty’s, Barbara’s Jig
4:40
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Piobaireachd MacLennan, Miss Ashleigh Bell
3:50
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Alexander MacDonald of Heisker’s Farewell to the Monach Light, Barney’s Balmoral, Kalabakan, Lt. Col. D.J.S Murray
4:12
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Brian Stewart (Newtonmore), The Calrossie Pipers
3:24
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The Shores of Loch Ness, The Beating Zone, Cutting Bracken, The Old Wife of the Milldust
5:47
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The Argyllshire Gathering, John MacDonald of Glencoe
3:56
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Highland Harry, Dora MacLeod, Loch Carron, Sandy Cameron
3:54
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The Lament for Mary MacLeod (Cumha Màiri Nighean Alasdair Ruaidh)
11:29
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Big Donald MacPhee, Val Goodman’s Fancy, Paddy’s Leather Breeches
3:41
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Pipe Major John Mackintosh’s Welcome to Ku-ring-gai, Bridget MacKenzie
3:01
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Towerhill Dreams, The Bee Hive, The Boys from Kiltearn, Jake the Snake, The Valellen Piper
4:49
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Pipe Major Norman Gillies, Pipe Major Alasdair Gillies
3:07
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Downloads include choice of MP3, WAV, or FLAC

A suberb debut album by one of the nation's best pipers.

Niall Matheson is an outstanding piper from Newtonmore in the Highlands. As a double goldmedallist he has established himself as one of our foremost pibroch players, as well as being a noted exponent of the lighter music of the ceòl beag tradition. In this album we have a wide-ranging and imaginative selection of airs, marches, strathspeys, reels and jigs, many selfpenned, as well as a performance of the 18th century pibroch The Lament for Mary MacLeod. This is unadulterated Highland pipe music, and an impressive debut from a gifted musician.